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Maria Sibylla Merian werd in Frankfurt am Main geboren als dochter van de destijds beroemde graveur en uitgever Mattthäus Merian en een Nederlandse moeder. Haar eerste kunstonderricht ontving ze van haar stiefvader, de stillevenschilder Jacob Marrel, en diens leerling Abraham Mignon. Als kind al raakte ze in de ban van insecten en bloemen, die ze later zo fraai en nauwgezet zou verbeelden. Als een der eersten bestudeerde zij systematisch de ontwikkelingsstadia van vlinders, die zij in tekeningen en aquarellen vastlegde om deze vervolgens te laten drukken. Met haar onderzoek legde zij, een halve eeuw vóór Linnaeus, de basis voor de entomologie. Ook behoorde zij tot de beste 'botanische' kunstenaars van de late zeventiende eeuw. Dit is de eerste monografie over Merian die recht doet aan haar veelzijdig oeuvre. Het boek verschijnt ter gelegenheid van een tentoonstelling over leven en werk van deze kunstenares en natuuronderzoekster, die in het voorjaar van 1998 gehouden werd in Teylers Museum te Haarlem.
Merian, Maria Sibylla --- anno 1700-1799 --- anno 1600-1699 --- Germany --- Merian, Maria Sibylla, --- Artists --- Tentoonstellingscatalogus --- Academic sector --- Biographical details --- Biology --- Book
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"The location of the author's investigations, the body itself rather than the sphere of subjective representations of self and of function in cultures, is wholly new.... I believe this work will be a landmark in future feminist thinking." "This is a text of rare erudition and intellectual force. It will not only introduce feminists to an enriching set of theoretical perspectives but sets a high critical standard for feminist dialogues on the status of the body." Volatile Bodies demonstrates that the sexually specific body is socially constructed: biology or nature is not opposed to or in conflict with culture. Human biology is inherently social and has no pure or natural "origin" outside of culture. Being the raw material of social and cultural organization, it is "incomplete" and thus subject to the endless rewriting and social inscription that constitute all sign systems. Examining the theories of Freud, Lacan, Merleau-Ponty, Foucault, Deleuze, Derrida, etc. on the subject of the body, Elizabeth Grosz concludes that the body they theorize is male. These thinkers are not providing an account of "human" corporeality but of male corporeality. Grosz then turns to corporeal experiences unique to women -- menstruation, pregnancy, childbirth, lactation, menopause. Her examination of female experience lays the groundwork for developing theories of sexed corporeality rather than merely rectifying flawed models of male theorists.
Feminist theory. --- Gender identity. --- Human body --- Social aspects. --- -Gender identity --- Feminist theory --- Gender identity --- 316.356.2 --- Sex identity (Gender identity) --- Sexual identity (Gender identity) --- Identity (Psychology) --- Sex (Psychology) --- Queer theory --- Feminism --- Feminist philosophy --- Feminist sociology --- Theory of feminism --- 316.356.2 Gezinssociologie --- Gezinssociologie --- Social aspects --- Philosophy --- Sociology of the family. Sociology of sexuality --- Body, Human --- Human body - Social aspects --- Gender dysphoria --- Body --- Psychoanalysis --- Psychology --- Sexuality --- Theory --- Biology --- Book
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